In this first section we shall be looking at some of the lesser-played lines after 4…Bf5. One of White’s other aims will be simply to avoid excessive simplification. Black will always be able to capture this piece but it usually means exchanging one disadvantage for an- other. White’s main strategic aim is to establish a powerful knight on e5. This is because he usually castles queenside and if he leaves the bishop on h7 pointing towards his king he may live to regret it. White will normally advance his h-pawn to gain space on the kingside and exchange off light squared bishops. Black usually has a bit less space but it is rare that his pieces become so congested that they have to fight each other for the same squares. On other occasions, especially when White has played e4, he may essay …b5 in order to wres- tle control of the d5-square from White. #Panov botvinnik attack pdf free#Black can castle either side and he will be looking to free his position with …c6-c5 at some point. …Ngf6, …e7-e6, …Be7 (or d6) and …Qc7 are all typical moves, while he will usually need to play …h7-h6 when White starts to harass his bishop on g6. Afterwards Black usually just develops as quickly as possible: …Nd7, Black develops his bishop to its best diagonal with gain of tempo. Strategies in the Classical VariationĤ…Bf5 is clearly a logical move. Anand, Carlsen and Dreev are some of the modern day talents who use it. But others such as Fischer and Alekhine steered clear of it. Many of the World Champions have employed it regularly such as Capablanca, Botvinnik, Petrosian, Karpov, the young Kasparov and the old Tal. The Classical Caro-Kann has a great history. In fact the variation is so solid that many white players, including myself, have changed their repertoire after failing on countless occasions to breech its defenses. It is primarily a variation which Black employs when he wants to avoid defeat, or a variation you can employ against an aggressive player who you feel may overpress. Although the variation has been spiced up a little in recent times, it is not played by those who are looking to win at all costs. The Classical Caro-Kann, as the variation with 4…Bf5 is usually known, enjoys a reputation as one of the most rock-solid lines in chess. The starting position of the Classical Variation The Classical Variation of the Caro-Kann begins with the moves: 1. Introducing The Caro-Kann (Brief Explanatory Video)Ĭaro-Kann Classical Variation (Old Mainline) This doesn’t mean that the game will not become complicated, just that the onus is mainly on White to sharpen things up. It is an opening that should appeal to those who like a solid structure with relatively easy development and do not consider a draw with Black to be an unmitigated disaster. The Caro-Kann, with the exception of one or two sidelines, belongs firmly to the first group. The second, more risky strategy is to counterattack at once, concentrating more on one’s own ideas than on what White is doing. The first is to try and negate White’s advantage of moving first through careful, no-nonsense play. In chess there are two distinct approaches to playing the opening with Black. This (1…d5) is the slightly less respectable Scandinavian Defence (otherwise known as the Centre Counter). If Black had started with 1…d5 then this would not be possi- ble and he would have to recapture with a piece. Now if White captures on d5 Black will be able to recapture with the pawn, maintaining an equal position in the centre. The idea behind 1…c6 is simply to support the advance 2…d5. Starting position of the Caro-Kann Defense The Caro-Kann defense opening is introduced by the moves 1.e4 c6 and has long been one of Black’s major defenses to 1.e4. Caro-Kann Classical Variation (Old Mainline).Is the Caro-Kann Opening Solid or Sharp?.
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